All the cinema (and sequels) we have to look forward to in 2023

Ever get the feeling that time is standing still, that your life’s on repeat, that everything’s just another rerun of a mediocre TV show?

Well, this might be because it is – at least when it comes to the American cinematic media ecology, with the majority of the most-hyped Hollywood films for 2023 being sequels and reboots.

One would be forgiven for giving up on our Hollywood dreams and turning to other regions – Europe, Australasia, South Korea – for film fare.

Even if there are a handful of substantially original films slated for 2023, it’s difficult not to be snarky when major studios continue to show such contempt for the intelligence of viewers.

So, what do we have to “look forward to” in 2023?

Major franchise films

If you love superhero franchises, there are some notable releases in 2023. Two of them look watchable, including a new Ant-Man movie – this is one of the Marvel series that is bearable, largely due to their light touch and charming leads – this time co-starring Michelle Pfeiffer and Bill Murray, and the sequel to the excellent animation film of 2018, Into the Spiderverse, Spiderman: Across the Spiderverse.

There’s also a new Guardians of the Galaxy film – Vol. 3 – which fans of Guardians of the Galaxy series will probably rush out to see (these people must exist, given the scale of these films!), a new Shazam movie, which promises to be as enthralling as its antecedent, and a sequel to the inoffensive Captain Marvel, The Marvels – its name sounds like a parody of current cinema trends.

If that doesn’t scratch your superhero itch, there’s Aquaman and the Lost Kingdom, directed by the supremely stylish James Wan.

There are some other notable non-superhero sequels.

There’s a new Magic Mike movie, again directed by Steven Soderbergh, who seems perpetually to be coming out of retirement to direct more movies, this one co-starring Salma Hayek and set in London. There’s Fast X, the new Fast and the Furious movie, the tenth entry in a franchise that has historically produced some solid action films but whose last couple of entries have started to feel a little dusty. There’s the appropriately-named Legally Blonde 3, a continuation of the story of ditzy but brilliant law student then lawyer Elle Woods (Reese Witherspoon), a character with some charm in the first film but whose schtick had become tedious by the second outing.

Director Denis Villeneuve’s Dune: Part I was a technically accomplished sci-fi fantasy epic, but Part II, scheduled to be released in November, promises to be less engaging as the best characters (and actors) were killed off in Part I.

There’s Scream 6, the second Scream film since the death of horror maestro Wes Craven and the attempted series “reboot” (is there a more annoying word?) with Scream (2022), the first not to star series anchor Neve Campbell as the harangued and courageous Sidney Prescott.

For some bizarre reason, there’s yet another Ghostbusters movie being released in 2023. Actually, it’s not bizarre at all, the sequel and reboot, especially of nostalgic 80s fare, have become virtual mints, printing money for studios with minimum creative effort. There’s also a new Transformers film coming – Rise of the Beasts – this time without Michael Bay directing, there’s a new John Wick film, and, perhaps weirdest of all, Indiana Jones and the Dial of Destiny. This is the first one to not be directed by Spielberg and promises very little, though it may be mildly interesting to see Antonio Banderas and Mads Mikkelsen in an Indiana Jones film.

More minor – but, probably, no less profitable – sequels include a new Creed movie, Creed III, directed by actor Michael B. Jordan, Evil Dead Rise, a new entry in the Evil Dead series, Mission Impossible: Dead Reckoning, Part One (as though it isn’t annoying enough to have to see countless sequels, now we have to see sequels in multiple parts, thanks Harry Potter), The Nun 2 – the cleverly-named sequel to the banal and unfrightening schlocker The Nun, Insidious: Fear of the Dark, directed by series actor Patrick Wilson, Murder Mystery 2, the sequel to the disappointing Netflix film of 2019 starring Jennifer Aniston and Adam Sandler, a Hunger Games prequel, The Ballad of Songbirds & Snakes - why settle for four movies when you can make five? - Book Club 2: The Next Chapter, The Equalizer 3, The Expendables 4, and Saw X!

Perhaps the sole sequel I am eagerly anticipating is Meg 2: The Trench. The Meg was one of the most delightful shark romps in years, and the sequel once again stars diver-turned-action man Jason Statham and is directed by Ben Wheatley, who has made some of the most unnerving films of the last decade (Kill List, A Field in England, In the Earth). Wheatley has a cinephile’s sense of genre and spectacle, so Meg 2 at least promises to be pleasurable.

Other major releases

People will be queuing up, I’m sure, to see contemporary auteur Christopher Nolan’s treatment of the biography of atomic bomb scientist J. Robert Oppenheimer, Oppenheimer. Nolan is one of the most pretentious directors around, and his films are deeply conservative, but Oppenheimer is a striking enough character that it would be hard to sap the energy out of his story.

Similarly, Martin Scorsese is doing another biopic, this time of Theodore Roosevelt, with perennial Scorsese collaborator Leonardo DiCaprio in the lead role.

There’s a new Guy Ritchie spy caper – Operation Fortune: Ruse de Guerre, starring Ritchie stalwart Jason Statham, along with Aubrey Plaza and Hugh Grant, who has really reinvented himself in recent years, embracing the kind of dissolute sociopathic prat that always lurked under the façade of his good guy roles in films like Notting Hill.

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One of the few releases that genuinely generates interest is the Barbie feature film, starring Margot Robbie and Ryan Gosling. Films based on toys are notoriously terrible, and there’s no reason to think this won’t be, but it will be fascinating to see how flavour of the month director Greta Gerwig (responsible for one of the more inept films of recent years, Little Women) makes a film out of the Barbie toy and legend.